Poster Concept Art

Design 1: (Chosen as final)

My first poser design implements an extreme high angle of the poster subject spread across a pile of film making notes and storyboards. A large emphasis is put onto the idea of the rule of thirds and Gutenberg theory (the principle that describes the general movement of the eyes when looking at a design in which elements are evenly distributed) having the audiences eyes intentionally first see the tagline 'We've all been there...' followed by them scanning across that of the poster's subject, finally to the film's title 'Writers Block'.

The subject of the poster is attired in predominantly monochromatic clothing, allowing audiences to project themselves onto her. As well as having her both blend into that of

her work notes (suggesting connotations of her being lost and enveloped by her work) and greatly contrasting that of the grass that fills the remainder of the frame (evoking the ideas of her being something different in an otherwise mundane real world outside of her work).

Design 2:

My second poster design implements a wide shot encompassing that of both the girl and her surrounding work. A key difference between this and the first design is that of the camera angle used. while the first used an extreme high angle (evoking inferiority) this design use of a wide shot frames the subject surrounded by her work (rather than atop it) suggesting a feeling of being trapped by her own ideas. With the use of strings being used to show how, while they all stem from her, that they are in fact over powering.

The subject of the poster is attired in predominantly monochromatic clothing, allowing audiences to project themselves onto her (it's also worth saying, the subject is positioned facing away from the camera, keeping her faceless, thus making it easier to project)

Design 3:

The third and final poster design also implements a wide shot encompassing that of both the girl and her surrounding work.

The subject of the poster is attired in predominantly monochromatic clothing, allowing audiences to project themselves onto her. As well as having her both blend into that of

her work notes (suggesting connotations of her being lost and enveloped by her work).